This post is based on the paper: “The role of interoceptive inference in theory of mind,” by
Sasha Ondobaka, James Kilner, and Karl Friston, Brain Cognition, 2017 Mar; 112: 64–68.
Understanding or inferring the intentions, feelings and beliefs of others is a hallmark of human social cognition often referred to as having a Theory of Mind. ToM has been described as a cognitive ability to infer the intentions and beliefs of others, through processing of their physical appearance, clothes, bodily and facial expressions. Of course, the repertoire of hypotheses of our ToM is borrowed from the hypotheses that cause our own behavior.
But how can processing of internal visceral/autonomic information (interoception) contribute to the understanding of others’ intentions? The authors consider interoceptive inference as a special case of active inference. Friston (see post Prediction Error Minimization) has theorized that the goal of the brain is to minimize prediction error and that this can be achieved both by changing predictions to match the observed data and, via action, changing the sensory input to match predictions. When you drop the knife and then catch it with the other hand, you are using active inference.
This post is derived from a review article: “The Role of Intuition in the Generation and Evaluation Stages of Creativity,” authored by Judit Pétervári, Magda Osman and Joydeep Bhattacharya that appeared in Frontiers of Psychology, September 2016 doi: 10.3389/fpsyg.2016.01420. It struck me that in all this blog’s posts, creativity had almost never come up. Then I threw it together with Edward O Wilson’s 2017 book: The Origins of Creativity, Liveright Publishing, New York. (See posts Evolution for Everyone and Cultural Evolution for more from Edward O. Wilson. He is the ant guy. He is interesting, understandable, and forthright.)
Creativity is notoriously difficult to capture by a single definition. Petervari et al suggest that creativity is a process that is broadly similar to problem solving, in which, for both, information is coordinated toward reaching a specific goal, and the information is organized in a novel, unexpected way. Problems which require creative solutions are ill-defined, primarily because there are multiple hypothetical solutions that would satisfy the goals. Wilson sees creativity beyond typical problem solving.